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Megha Sood

"We All Rise Out of Love"

My tongue twists and turns

trying to fit the cookie-cutter in a land unknown

words put in my mouth

like the small portions— those kaurs

made by the warm, supple hands of my mother

as I gently wait for the next one.

 

Her fingers always doused by the fragrance of bay leaves

turmeric-tainted, the various shades

as she kneads the atta and dispenses life lessons

in the kitchen on a warm summer day.

 

She taught me, kindness comes from the heart

but hunger pierces a man the most

so learn to soothe hunger, the lingering pain,

as she puts all her strength into kneading the atta

into a dollop of the milky moon.

 

My language is different than yours

I try fervently to explain to my son

who keeps correcting my pronunciation

as I teach him the basics of love

kindness and purity of heart.

​

Sometimes I wonder,

How this world

marred and demarcated by the boundaries

those twisted pronunciations,

would look beautifully kneaded together?

 

Like the lump of moon

sitting in the copper-clad  paraat of my mother

waiting to rise out of warmth.

 

Legends:

kaur - morsels

paraat - a utensil to knead flour

atta - flour

 

First Published in the SONKU Collective “Family Legacies,” 2020

"Validation"

I can always find my mother's eyes searching

rampantly like a lost child,

for me in an empty room,

her sun-spotted hands

a bony frail figure shrinking

by the passage of time;

 

seated calmly on the sun-soaked mahogany chair

perched on the verandah

rocking back and forth,

creaking with every movement

a syncopation that has

birthed many of her sumptuous recipes.

​

a chair which has paid its due

We should let it go, I mention it to her often

But favorites are always kept close to the heart

giving company to your heartbeats, she says, smiling.

 

My mother doesn't mind spending the good part of her day

in the kitchen, soaked in oil and sweat

her soft hands marinated and laced

with the smells and delightful aromas of the dishes

she has been cooking lovingly for decades.

 

The sweet amalgamation of these aromas

weave a beautiful culinary story

from the wee hours of the day

till the crimson evenings.

 

Every interesting conversation

births around the long pedestal dining table

a place to satiate our bellies and souls.

We are a family of foodies, we boisterously declare.

​

Her bay-infused bony taloned fingers

marinated with time carries the tradition

for generations, a heritage, we feverishly adore.

​

She looks for validation of her life

in the stretched smile of her children

and contented bellies,

skin marked with time

carrying the apricity of her love

in her warm hugs and a smile so divine.

 

The satiated look we give her

just before leaving the table;

gratitude in our warm eyes

locks gaze with her smile.

 

The electric hum of the ceiling fan

coupled with the eating of the food

is always rattled like a stone thrown

breaking the skin of the lake;

when the morsel from her hand

reaches my brother's mouth.

 

Her eyes lit up differently

carrying a varied shade of happiness

her festivals are infused with a

a different shade of hope when he visits.

​

Her recipe cards are arranged

in the order of his liking

and get their turns whenever

it is summoned by him.

 

I don't call it discrimination

it never felt like it

We are all equal shareholders of her love

her big family of four kids

She has enough for everyone, she says.

 

But her love only seems to be validated,

her sumptuously made dishes reach their salvation

and their sole purpose of its existence

verify in equal measures only when

they are generously eaten by him.

 

Published in the anthology (“Poetry on a Plate with Spicy Mango Pickle”, Authors Press)

​

​

"Gluttony"

Gluttony(Gula) - Similar to greed, but gluttony is the action of taking too much of something in being indifferent to others.

​

“Gluttony is an emotional escape, a sign that something is eating us.- Peter De Vries”

​

The incessant gulping

and swallowing down

till you are filled to the brim

and choked at the heart.

​

Mouth stuffed till you can take no more

and yet you are starving your soul.

 

The desire for all the delicious food

your slithering tongue demands

stuffing your body

still feeling empty in your heart.

​

The gluttony, you are filled with

starving others to death

snatching and grabbing

from the needy, soulful heart

yet you never regret it.

 

Gluttony, a deadly sin

makes you a devil from within.

​

Published in the anthology (“Poetry on a Plate with Spicy Mango Pickle”, Authors Press)

Now, that's a trick your mother should have taught you while growing up. Pick the ones that are almost ripe but not too ripe.
 

Showing the right amount of color and passion, but doesn’t taste sour after you bring it home. Sweetness has to be slowly built into the relationship. Life has to be tangy and sweet and everything in between.
 

Make sure it doesn't carry the old scars with it. Turning everything sour around it. We know in our hearts, we all do.
 

Better to separate the rotten ones from those who are about to ripen. Life offers you all kinds of waxy, fruity, hairy, filled with cuticles, and you have to pick that leave a sweet longing taste on your tongue.
 

The taste that stays with you for a lifetime.
 

The appearance doesn't matter, really, it doesn't. Sometimes, the misfits are the best picks in a market.
 

And every time you enter your home, tired after an endless day. A life rooted in dull chores, routines, tasks, and checklists, that make you feel like a hamster on a wheel.
 

You are welcomed by the sweet aroma filling the living area, filling your nostrils with the
sweetest scent that makes you almost drool looking at it. 

 

You know that there is something you have been right about.
 

The age-old trick of picking up the right one among the endless heap of shiny fruits at the
market, where every seller abashedly flaunts being the best one.

 

And then you remember your granny as she says, bringing the smile to her almond eyes cupped
by the crow’s feet, anointing her wisdom.

 

Lean in with your heart, not with your eyes, and you will always end up with what you have been looking for.

"How to choose and pick the right ones?"

MORE ABOUT MEGHA SOOD 

All the four poems submitted for the anthology speaks about the food , memory and the nostalgia deeply seeped in them. The poems serves as an amalgamation for poetry and food. The poem "We All Rise out of Love" stresses the power of food in breaking the superficial boundaries across the world. While the poem "How to choose and pick the right ones?" highlights the life lessons passed through generations through the simple process of picking fruits at the food market . The poem "Validation" also brings out the pain and the angst within a family member as they face discrimination at the dinner table along with the incessant love of a mother.

Megha Sood is an award-winning Asian-American author, poet, editor, and literary activist. A Literary Partner with “Life in Quarantine”, at Stanford University. Her four poetry collections include the award-winning (My Body Lives Like a Threat, FlowerSong Press, 2022), (My Body is Not an Apology, FinishingLine Press, 2021), and award-winning( Language of the Wound is Love, FlowerSong Press, 2025).

She has received support from VONA, Pen Women, Dodge Foundation, Kundiman, and Martha’s Vineyard Writing Institute. Her 900+ works have been featured in print, online journals, public exhibits, and anthologies, including the Poetry Society of New York, Ms. Magazine, World Literature Today, Mom Egg Review, The Feminist Press, NYPL, Pen Magazine by American Pen Women, PBS American Portrait, NPR, WNYC Studio, etc, and numerous universities, including Stanford University, Howard University, George Mason, CUNY, etc.  

A 2020 National Level Winner for the Poetry Matters Project, Winner of the San Gabriel Poetry Festival, and a Four-Time State Level Winner for the NAMI NJ Dara Axelrod Poetry Award. She also received a “Certificate of Excellence” from Mayor Stephen Fulop, Jersey City.

Her various poems and co-edited anthology “The Medusa Project” have been sent to the moon in 2025 in collaboration with NASA. She co-edits the annual Brownstone Poets anthology and lives with her son and husband in New Jersey. Find her at https://linktr.ee/meghasood.

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